All the murals in the Court of the Four Seasons are by H. Milton Bancroft. In general they are less interesting than those of any other court.
The Seasons. In the four corners of the colonnade there are eight panels, grouped by twos as follows: Spring and Seed Time; Summer and Fruition; Autumn and Harvest; and Winter and Festivity. There is little to hold the attention either in richness of color or in unusual grace of composition. Moreover, the artist has left nothing to the imagination in the symbolism by which he expresses the several ideas. The devices are so hackneyed, and the meaning so obvious, that any sort of interpretation would be entirely superfluous.
Panels under half-dome. On the east wall under the dome is the panel Art Crowned by Time. Father Time crowns Art, while on one side stand figures representing Weaving, Jewelry, and Glasswork, and on the other Printing, Pottery, and Smithery. On the opposite wall is the panel Man Receiving Instruction in Nature's Laws. A woman holds before a babe a tablet inscribed "Laws of Nature," while on one side are figures of Fire, Earth and Water, and on the other figures of Death, Love, and Life. These two larger panels are more pleasing than the eight representing the Seasons, both in coloring and in figure composition; and they make pleasing spots of bright color in the dome. But again the artist is tediously careful to make his meanings plain. Not only does each figure hold its obvious symbol prominently in view, but there are labels naming the figures. To the art student the painter's stipple-and-line method, producing vibration of light and a certain freshness of atmosphere, will be of interest, as being out of the usual run of mural technique.
Before leaving the Court of the Four Seasons one should stand under the central arch of the triple portal at the east, and look first to the east through the Arch of the Setting Sun to the group "Nations of the East;" and then to the west along the vista that ends with the kneeling figure before the Fine Arts temple. The arrangement of architectural and sculptural units in both vistas is worthy of study.